20th-22nd September 2019
A somewhat belated reflection on Unseen Amsterdam 2019. This was the weekend before the beginning of the FMP module. Going back through my notes four weeks on, and with the development of my FMP at the forefront of my mind (the fieldwork phase starts tomorrow), I am going to focus on the work that has particular relevance for the development of my own practice, and specifically my final major project. Rather than one long post covering a lot of ground, I’m going to break up the reflection into five short, themed, posts: using corporate computer generated images (Felicity Hammond), past, present and becoming (Kim Boske), from digital image to chemical print (Michael Lundgren), surface modified images (Sylvie Bonnot, Sasan Abri, Parisa Aminolahi), the book as object/archive (Kurt Tong, Lukas Birk, the Photobook as Object workshop). The greatest benefit of the weekend was, as with Paris and Arles, being able to meet up with fellow MA students and tutors, and talk about our work. Wasn’t able to stay for the portfolio review, unfortunately, but only a few weeks since the last review in Bristol.