This week provided the space to plan and map out activities for the remaining weeks of this module and relate this work to the development of the FMP. An outline of activities is given as a roadmap here. In terms of methodology, it has provided the opportunity to relate the exploration of different image making strategies in the first part of the module to forthcoming exploration of modes of presentation of work and engagement of audience, and consider how this relates to conceptual and theoretical development. The aim is to achieve a degree of coherence and consistency between these dimensions of practice: each must inform the other. Over this week, the major development in this respect is coming to view this as an iterative process, and then attempting to mirror this process in the way that I work with participants in the project. In terms of methodology, this has led to a more detailed mapping out of process of working with different groups, which can lead to variation in the focus of the work with each group and different forms of output at the end of the process. This is reflected in the sequence of workshops planned from each group (sketched out here). What provides coherence is an underlying conceptual framework and a broad focus on the exploration of the exploration of the experience of change in the social, cultural, built and natural environment brought about by regeneration projects. I’ll explore specific aspects of this in posts over the coming weeks. In terms of photography over the next few weeks, I want to test out elements of the process, which will entail both technical and aesthetic challenges.
I also had the opportunity to visit the Deepwater exhibition (graduation show for the Falmouth MA Photography programme, held at therprintspace Gallery in Spitalfields), which was useful in seeing how my project work (one image) will appear in relation to other work from the degree programme.