Alternative image making methods: above and below.

This work was produced as part of the Week 4 activity Hands Off!: ‘you have 24 hours to produce a mini-series of five images relating to your research project, without using apparatus that is familiar to you’. My project, which address community engagement with urban regeneration, has recently taken on an environmental dimension. This is provoked by an emotional response to the ecological violence of large scale urban development projects and engagement with work on the relationship between mental well-being and the built and natural environment (the ‘neuropolis’ – see Fitzgerald et al, 2018) and different understandings of the relationship between communities and the land held in Aboriginal cultures (see Pascoe, 2014). Buttrose (2019), in her curatorial notes to an exhibition exploring the transformation of the Australian landscape, observes that ‘throughout ‘Material Place’ there is a recurring motif of ‘zooming in and out’ suggesting that both macroscopic and microscopic viewpoints need to be captured concurrently to understand the complexity of the world today’. So, in this challenge I have combined two image making strategies that I haven’t used before: (i) screenshots from Google satellite of the areas I am exploring, made on Wednesday morning; (ii) iPhone digital microscope images of organic material collected from these sites on the same day. I have presented these as diptychs.

Andrew Brown, Gascoigne Estate Diptych #1, 2019
Andrew Brown, Gascoigne Estate Diptych #2, 2019
Andrew Brown, Riverside Estate Diptych #1, 2019
Andrew Brown, Riverside Estate Diptych #2, 2019
Andrew Brown, Thamesview Estate Diptych #1, 2019

I am not sure where I’ll take this. I’ve always liked the Boyle family work (see Boyle, 1970), and it would be good to do something like that which engages directly with the ground/land (they chose sites randomly). My desk is covered in bugs. I’ve done some quick channel mixing of images from the same site, just to see how it looks – a couple of examples below.

Andrew Brown, Gascoigne Estate Macro/Micro Composite #1, 2019
Andrew Brown, Thamesview Estate Macro/Micro Composite #1, 2019


Boyle, M. 1970. ‘Journey to the Surface of the Earth’. Online at [accessed 26.06.19]

Buttrose, E. 2019. Material Place: Reconsidering Australian Landscapes [Curatorial notes]. UNSW Galleries, Sydney. 21.06.19-07.09.19

Fitzgerald, D., Rose, N. and Singh, I. 2018. ‘Living Well in the Neuropolis’, The Sociological Review, 64: 221–237.

Pascoe, B. 2014. Dark Emu. Broome, Western Australia: Magabala Books.